10 of my favourite tracks from Europe:
A few months ago I did a Blog
Post about 10 records which had influenced me as a musician. They were a
mixture of all kinds of genres from my teenage forays into pop and blues
through folk revivalists and a sprinkling of what could be called ’World Music’. It was a very popular post with a lot of
readers and some good comments. It inspired me to follow it up with this one. FIND IT HERE
Although most of what l actually perform myself is traditional English folk songs I don’t listen to a lot of that on
recordings—I prefer it live. But I do listen to a lot of folk music from other
parts of the world, particularly from Europe. I find much of it very exciting
and it has influenced my playing.
So this is a selection of some
favourite recordings from Europe—some are tracks I’ve known for decades, others
are recent discoveries.
ALAN STIVELL: Pop Plinn
from the album Live at Olympia.
This is one of my favourite
albums of all time. It must have been an amazing concert. Through most of the
1980s I ran a local radio folk programme (Chiltern Radio from Dunstable) and
whenever I played a track by Stivell I had requests for more. He bridged the
gap between a folk singer and a pop star. At that time there was a huge upsurge
in Breton identity—moves for independence and language teaching, in much the
same way as happened in Scotland and even Cornwall! I love the way the
bombards, the Breton national instrument, are greeted with a huge cheer. It
still makes me come out in goose pimples. Unfortunately the movement seems to
have faded away and I read recently that the Breton language is in danger of dying
out. LISTEN HERE
KARIKAS EGYUTTES Hová mész, hová mész
Back in the early 1990s my
daughter Lucy made several trips to Hungary and Romania to research traditional
music for her university degrees. This eventually led to our Anglo-Romanian
band Popeluc. This album by Karikas was one she brought back from her travels. I don't think Karikas were known outside of Hungary but I really
rated them highly. Although they are Hungarian and Popeluc’s music was Romanian
it all comes from Transylvania and is very similar. The Hungarian folklorist
Karoly Kos said words to the effect of: 'In Transylvania the Hungarians, the
Romanians and the Gypsies all play the same music, but they each play it with
their own particular accent.’ (Pre WW2 he could have added the Jews but they
are almost non-existent in the area now.) LISTEN HERE
HEIEMO OG NYKKJEN: Kirsten Braten Berg
This is an ancient Norwegian
ballad. It was on a 4CD World Music sampler set which Sue and I bought
ourselves for Christmas. We played it on Christmas Day and I
liked this track so much I listened to it a couple more times. In the night I
dreamed words to it and scribbled them down. Much to my surprise they still made
sense in the morning! It became The Lads They’d Been a-Drinking which I
recorded on my False Waters CD in 1995. I had no idea what the Norwegian song
was about but my subconscious’ ‘translation’ was not too far from it—at least
in mood. It’s about a young girl abducted by an evil spirit. Even more oddly, a couple of years later
events almost identical to the plot of my song were in the news and people
assumed I’d written the song about them! LISTEN HERE
SPACCANAPOLI—Aneme Perze
From Album Lost Soul
I bought this album on
the strength of a couple of tracks played on Radio 3’s Late Junction and it
instantly became a favourite. Spaccanopoli started life as a community group in
Naples—particularly a band for parades and festivals. Much of their music shows
this community input. There are influences from all over the Mediterranean
region—Italy, Spain, N.Africa, the Middle East…
Their other claim to fame is that they and their music featured regularly in the TV series
The Sopranos, which I have never seen! LISTEN HERE
BARCELONA GYPSY KLEZMER ORCHESTRA: Djelem Djelem
A more recent find: I came across this band by
accident when I was doing some research into Klezmer music. As their name
suggests they play a unique fusion of Gypsy, Klezmer and Jazz. I very often
don’t like fusions—they aren’t one thing or another—but I do like this band. Their
singer seems to have it all – technical ability, soul and the ability to put
over a song. Djelem Djelem is one of the standards of the Gypsy/Rom repertoire
and has also been done by Goran Bregovic (see below). It tells of the trials and
tribulations of an oppressed people and calls for them to stand up and be
proud. LISTEN HERE
LEILIA are a 6 piece female group
from Galicia in NW Spain. They describe their music as ‘tambourine music’ and
they do use tambourines alot but on their albums they have some really good backing
musicians using clarinets, pipes, accordion, guitars etc. Galicia is the tip of
Spain which pokes out into the Atlantic (Finisterre and St James of Compostella etc) and it has always had many
maritime links with the ‘Celtic’ fringes of Britain. This shows in the music.
They are a recent discovery of mine and I love their sound. They started by
researching the almost forgotten traditional music of their region but, I
think, much of their work is now reworkings or new compositions in the
traditional style. LISTEN HERE
KAYAH & BREGOVIC: Jesli Bog Istnieje
Goran Bregovic is ‘The Man from
Sarajevo’ - born in what was then Yugoslavia but playing music from all across
the Balkans and beyond he is a World Music superstar and has appeared at WOMAD
several times. I included him in my previous Post. For this CD he has teamed up
with Polish superstar Kayah. Of the 10 tracks on the album I have 8 of them on
other Bregovic albums but they are very different arrangements and they come
over as fresh and new. I can’t say which arrangement I prefer. The lyrics are
credited to Kayah and I am not sure whether she has written entirely new words
to the tunes or has translated them. LISTEN HERE
Crni Voz by Boban Markovic Orkestrar featuring Felix Lajko
I don’t know where I got this sampler from the Hungarian record label Fono from, but I’m glad it came my way. There is hardly a dud track amongst the 15 very varied pieces of traditional music from Hungary and its neighbours. This is the opening track. Boban Markovic is a superstar in Eastern Europe and Felix Lajko, who is from a younger generation, is also huge. I described this piece as being like a very ’high’ Jimmy Hendrix getting hold of a fiddle and doing his thing. The You Tube video here is a whole performance (46 minutes) The track I would pick out starts at about 13 minutes in. LISTEN HERE
FANFARE CIOCOLIA: DINJI RINJI BUBAMARA
FC come from the Constanta region
of Romania which is a very different place to Maramures in the mountains of
northern Romania which I have visited and played the music of with Popeluc. The
brass band tradition was introduced to the area by the Ottomans who ruled the
area for centuries. FC boast of being the ’fastest band in the world’ which is
not something I’d usually approve of but it works for them. I had the pleasure
of working with them at a concert in Tenterden, kent some years ago and they
know how to work an audience (and get every penny they can out of them! Their
encore went on for ages while a man with a hat went round collecting paper
money from everyone!) A friend who plays brass said that they must be really
highly qualified, musicians from top
academies because ‘they do things you can’t do on brass instruments’… They’re
not, they are self taught from a tiny village with no mod cons and most have
probably never even been to school! (This is not my favourite track but I can’t
find that!)
LISTEN HERENADYA KARADJOVA Neno Le (Live)
Still from the Balkans:
To finish off I thought I should include a bit of Popeluc who I've mentioned a couple of times: LISTEN TO POPELUC
For my web site with links to You Tube, other Blog posts, and to buy books and CDs, and everything else you need to know go to: https://petecastle.co.uk
I had this track on a
sampler LP back in the 1980s. I found it fascinating, very different to
anything I’d heard before. I particularly liked the rather ‘primitive’
accompaniment. Over the years we have become much more accustomed to Bulgarian music.
LISTEN HERE
And I've got all this way without mentioning Brexit! Whoops!
To finish off I thought I should include a bit of Popeluc who I've mentioned a couple of times: LISTEN TO POPELUC
For my web site with links to You Tube, other Blog posts, and to buy books and CDs, and everything else you need to know go to: https://petecastle.co.uk